Several ways to wear father’s shirt
Fotoprints auf 27 Karteikarten, Gummiband, 2011
Notizen / Notes
Übersetzung: Beate Terfloth
- The parcel was selected for its haptic quality: soft content.
- Upon opening of parcel, immediately visible, that it is a blue shirt.
- Observing more closely: shirt is quite large, sleeves have been cut off, in the chest-area paper clips and coins have been sewn in. On the breast pocket the initials DML have been embroidered -> Daniel M. Lynch? Closer observation of the brand. -> Are the sewn-in objects meant to be taken out? I don’t think so, because one can feel what objects they are. Also it would be too big an intervention on the piece. -> Is it the shirt of Daniel Lynch or does it belong to somebody else? (- again I am thinking about the embroidered initials.) -> Does he fit into it?
- Shirt is lying at home, resp. I hung it up. -> Let it just be there – so far no precise involvement with it.
- Google search: whom do I find when I look for Daniel Lynch, resp. Daniel M. Lynch? -> Name appears in the context of Harvard, but also in other connections. Daniel M. Lynch finally leads me to the homepage of a marketing guy. Photo: grey hair, portly built, successfull appearance, correctly dressed.
HE WOULD FIT PERFECTLY INTO THAT SHIRT.
-> Seems improbable that he is the Daniel Lynch from whom I received the parcel. HIS FATHER? - I stick with the association that it is his father’s shirt (of course I can’t be sure) -> Paper clips, money in the breast pocket: work and money/luxury as his primary values? -> Cut off sleeves: insufficient attention, neglected fatherly care? -> An accusation of the father? Judgement on his values? The piece suddenly acquires a very emotional character for me.
- Shirt is still hanging in my room. Only a few days later I put it on. As soon as I am wearing it, I know what my reply will be.
- -> I wear it in different ways. That produces different emotional feelings, which could be associated with: e.g. restriction, burden, defiance, irony, humour, acceptance, obedience, protest, anger, wit, distance, sadness, self-confidence, shyness, despair, indifference, aquiescence, rage, sarcasm, contentedness, self-sufficiency, escape, hiding, … resp. even more subtle processes that are difficult to put into words. -> Photographed myself in different positions wearing shirt. Cut out the photographs and pasted them onto index cards, that could be put into the breast pocket.
TITLE: resulted from this action.
“SEVERAL WAYS TO WEAR FATHER’S SHIRT”
Antwort auf die Arbeit von Daniel Lynch (Harvard University), retourniert in der Brusttasche des Hemdes.
Entstanden im Rahmen von CORRESPONDENCE, ein gemeinsames Projekt von Helen Mirra (Harvard University), Mohammad Ali Talpur (National College of Arts, Lahore) und Beate Terfloth (Universität Mozarteum Salzburg).
Several ways to wear father’s shirt, aus dem Katalog „Correspondence“ (Gestaltung/Grafik Design: Erik Hable)